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Sadegh Hedayat (, ; 17 February 1903 – 9 April 1951) was an writer, translator, satirist, and poet. Best known for his novel The Blind Owl, he was one of the earliest Iranian writers to adopt literary modernism in their career. He is widely considered to be the father of the atheist movement in Iran.


Early life and education
Hedayat was born to a northern Iranian aristocratic family in . His great-grandfather Reza-Qoli Khan Hedayat Tabarestani was a well-respected writer and worked in the government, as did other relatives. Hedayat's sister married Haj Ali Razmara who was an army general and among the prime ministers of Iran under Shah Mohammad Reza Pahlavi. Another one of his sisters was the wife of who was also an army general.
(2025). 9781134079353, Routledge. .

Hedayat was educated at Collège Saint-Louis (French catholic school) and Dar ol-Fonoon (1914–1916). In 1925, he was among a select few students who traveled to Europe to continue their studies. There, he initially went on to study in , which he abandoned after a year to study in France. There he gave up architecture in turn to pursue . In this period he became acquainted with Thérèse, a Parisian with whom he had a love affair. In 1927 Hedayat attempted suicide by throwing himself into the Marne but was rescued by a fishing boat. After four years in France, he finally surrendered his scholarship and returned home in the summer of 1930 without receiving a degree. In Iran, he held various jobs for short periods.


Career
Hedayat subsequently devoted his whole life to studying Western literature and to learning and investigating Iranian history and folklore. The works of Rainer Maria Rilke, Edgar Allan Poe, , , and Guy de Maupassant intrigued him the most. During his short literary life span, Hedayat published a substantial number of short stories and novelettes, two historical dramas, a play, a travelogue, and a collection of satirical parodies and sketches. His writings also include numerous literary criticisms, studies in Persian folklore, and many translations from and French. He is credited with having brought the Persian language and literature into the mainstream of international contemporary writing.

Hedayat traveled and stayed in from 1936 until late 1937 (the mansion he stayed in during his visit to was identified in 2014). Hedayet spent time in Bombay learning the language from the community of India. He was taught by Bahramgore Tahmuras Anklesaria (also spelled as Behramgore Tehmurasp Anklesaria), a renowned scholar and philologist.

(2020). 9789811516917, Springer Nature. .
(2014). 9781400861323, Princeton University Press. .
Nadeem Akhtar's Hedayat in India provides details of Hedayat's sojourn in India. In Bombay Hedayat completed and published his most enduring work, The Blind Owl, which he had started writing, in Paris, as early as 1930. The book was praised by , André Breton, and others, and Kamran Sharareh has called it "one of the most important literary works in the Persian language"."From Persia to Tehr Angeles: A Contemporary Guide to Understanding and Appreciating Ancient Persian Culture", p. 126, by Kamran Sharareh


Vegetarianism
Hedayat was a from his youth and authored the treatise The Benefits of Vegetarianism whilst in Berlin in 1927.Sollars, Michael; Jennings, Arbolina Llamas. (2008). The Facts on File Companion to the World Novel 1900 to the Present. Facts On File. p. 347. ISBN


Death and legacy
In 1951, overwhelmed by despair, Hedayat left Tehrān and traveled to Paris, where he rented an apartment. A few days before his death, Hedayat tore up all of his unpublished work. On 9 April 1951, he plugged all the doors and windows of his rented apartment with cotton, then turned on the gas valve, committing suicide by poisoning. Two days later, his body was found by police, with a note left behind for his friends and companions that read, "I left and broke your heart. That is all." He is widely remembered as "a major symbol of Iranian nationalism."

The English poet John Heath-Stubbs published an elegy, "A Cassida for Sadegh Hedayat", in A Charm Against the Toothache in 1954.


Censorship
In November 2006, republication of Hedayat's work in uncensored form was banned in , as part of a sweeping purge. However, surveillance of bookstalls is limited and it is still possible to purchase the originals second-hand. The official website is also still online. The issue of censorship is discussed in:
  • "City Report: Tehran" in Frieze, issue 86, October 2004, which examines Iranian censorship in general;
  • An article by Robert Tait in , 17 November 2006;
  • an article published by Radio Free Europe — on 26 November 2007.


Quotations
  • In life there are certain sores that, like a canker, gnaw at the soul in solitude and diminish it. ( opening line)


Works
  • Fiction
    • 1930 Buried Alive (Zende be gūr) A collection of 9 short stories.
    • 1931 Mongol Shadow (Sāye-ye Moqol)
    • 1932 Three Drops of Blood (Se qatre khūn). A collection of 11 short stories.
    • 1933 Chiaroscuro (Sāye-ye roushan) A collection of 7 short stories.
    • 1934 Mister Bow Wow (Vagh Vagh Sahāb)
    • 1936 Sampingé (in French)
    • 1936 Lunatique (in French)
    • 1936 The Blind Owl (Boof-e koor)
    • 1942 The Stray Dog (Sag-e velgard). A collection of 8 short stories.
    • 1943 Lady Alaviyeh (Alaviye Khānum)
    • 1944 Velengārī (Tittle-tattle)
    • 1944 The Elixir of Life (Āb-e Zendegi)
    • 1945 The Pilgrim (Hājī āqā)
    • 1946 Tomorrow (Fardā)
    • 1947 The (Tūp-e Morvari)
  • Drama (1930–1946)
    • Parvin dokhtar-e Sāsān (Parvin, Sassan's Daughter)
    • Māzīyār
    • Afsāne-ye āfarīnesh (The Fable of Creation)
  • Travelogues
    • Esfahān nesf-e jahān (Isfahan: Half of the World)
    • Rū-ye jādde-ye namnāk (On the Wet Road), unpublished, written in 1935.
  • Studies, Criticism and Miscellanea
    • Rubā'iyāt-e Hakim Omar-e Khayyām (Khayyam's Quatrains) 1923
    • Ensān va heyvān (Man and Animal) 1924
    • Marg (Death) 1927
    • Favāyed-e Giyāhkhāri (The Advantages of Vegetarianism) 1927
    • Hekāyat-e bā natije (The Story with a Moral) 1932
    • Tarānehā-ye Khayyām (The Songs of Khayyam) 1934
    • Chāykovski (Tchaikovsky) 1940
    • Dar pirāmun-e Loqat-e Fārs-e Asadi (About 's Persian Dictionary) 1940
    • Shive-ye novin dar tahqiq-e adabi (A New Method of Literary Research) 1940
    • Dāstan-e Nāz (The Story of Naz) 1941
    • Shivehā-ye novin dar she'r-e Pārsi (New Trends in Persian Poetry) 1941
    • A review of the film 1944
    • A literary criticism on the Persian translation of 's The Government Inspector 1944
    • Chand nokte dar bāre-ye Vis va Rāmin (Some Notes on Vis and Ramin) 1945
    • Payām-e Kāfkā (The Message of Kafka) 1948
    • Al-bi`tha al-Islamīya ilā al-bilād al-Afranjīya (The Islamic Mission to the European Lands), undated.
  • Translations
    • From French:
      • 1931 Gooseberries by
      • 1948 In the Penal Colony by
      • 1944 Before the Law by Franz Kafka
      • 1950 The Metamorphosis by Franz Kafka (along with Hasan Qaemian)
      • 1950 The Wall by
      • 1950 Tales of Two Countries by Alexander Kielland
      • 1950 Blind Geronimo and his Brother by Arthur Schnitzler
    • From :
      • 1943 Kārname-ye Ardashir-e-Pāpākān (The Book of the Deeds of Ardashir son Papakan)
      • 1940 Gojaste Abālish
      • 1945 Āmadan-e shāh Bahrām-e Varjavand ( Return of shah Bahram Varjavand)
      • 1944 Zand-i Wahman yasn


Films about Hedayat
  • In 1987, Raul Ruiz made the feature film La Chouette aveugle in France: a loose adaption of Hedayat's novel The Blind Owl. Its formal innovations led critics and filmmakers to declare the film 'French cinema's most beautiful jewel of the past decade.'
  • Hedayat's last day and the night was adapted into the short film, The Sacred and the Absurd, directed by Ghasem Ebrahimian, which was featured in the Tribeca Film Festival in 2004.
  • In 2005, Iranian film director has made a docudrama about Hedayat entitled Goftogu ba saye = Talking with a shadow. Its main theme is the influence of Western movies such as Der Golem, , and Dracula on Hedayat.
  • In 2009, Mohsen Shahrnazdar and Sam Kalantari made a documentary film about Sadegh Hedayat named From No. 37.


See also
  • Intellectual movements in Iran
  • Persian literature
  • Persian philosophy


Sources


Further references


External links

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